0:00 – Moment I Realized I Was Supposed To Be A Writer
14:49 – 7 Point Story Structure Found In Every Great Movie
29:27 – Every Movie Has 4 Main Stories
44:29 – How To Figure Out What Your Movie Is Really About
48:14 – How To Write A Beat Sheet For A Screenplay
1:00:44 – If You Don’t Have Structure You Don’t Have Character
1:14:04 – If You Don’t Understand Your Character’s Flaw You Don’t Understand Your Story
1:24:24 – First Steps To Rewriting A Screenplay
1:34:47 – Keys To Rewriting A Screenplay
1:49:56 – How A Writer Reads A Screenplay For Conflict
2:04:33 – Changing Oneself At Midlife

BUY THE BOOK – REWRITE 2nd Edition: A Step-by-Step Guide to Strengthen Structure, Characters, and Drama in your Screenplay – https://amzn.to/4d4FuYZ

BUY THE BOOK – 39 STEPS TO BETTER SCREENWRITING: A Practical Guide to Improving Your Screenplay – https://amzn.to/3xNvoLH

BUY THE BOOK – LIES, ALL LIES – https://amzn.to/3QfQs40

Paul Chitlik has written for all the major networks and studios in English and in Spanish. He was story editor for MGM/UA’S “The New Twilight Zone,” and staff writer for Showtime’s sitcom “Brothers.” He has written features for Rysher Entertainment, NuImage, Promark, Mainline Releasing, and others. He has directed episodes and been coordinating producer for “Real Stories of the Highway Patrol” and “U.S. Customs Classified.” He wrote and produced “Alien Abduction,” the first network movie shot on digital video for UPN. He wrote, produced, and directed “Ringling Brothers Revealed” a special for The Travel Channel. (He had been a roustabout for Circus Vargas years earlier.) Most recently he wrote, produced and directed “The Wedding Dress,” for Amazon Prime. He received a Writers Guild of America award nomination for his work on “The Twilight Zone” and a GLAAD Media Award nomination for “Los Beltrán,” a Telemundo show. He won a Genesis Award for a Showtime Family movie. He has taught in the MFA programs of UCLA, the University of Barcelona’s film school ESCAC, Cuba’s film school EICTV, Chile’s film school UNIACC, The University of Zulia in Venezuela, The Panamerican University in Mexico City, The Story Academy of Sweden and as a clinical associate professor at Loyola Marymount University. Now writing full time again and living near his grandson in Chapel Hill, NC, with wife, Beth McCauley.

MORE VIDEOS WITH PAUL CHITLIK
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VIEWERS ALSO WATCHED
Crack the Secret of Successful Screenwriting – https://youtu.be/dcFKlaChuS0
Writing Your Story In 90 Days – https://youtu.be/IhVXWGVNguQ
How To Tell A Better Story – https://youtu.be/dy2QpplPxiU
Screenwriting 101: How To Start A Screenplay – https://youtu.be/ghRoyKX3BtQ
Essential Story Tools Required For Screenwriting Success – https://youtu.be/CWfcjN8ajHg

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►BOOKS WE RECOMMEND:

THE NUTSHELL TECHNIQUE: Crack the Secret of Successful Screenwriting https://amzn.to/2X3Vx5F
THE STORY SOLUTION: 23 Actions All Great Heroes Must Take
http://amzn.to/2gYsuMf
SAVE THE CAT! The Last Book on Screenwriting You’ll Ever Need
https://amzn.to/3dNg2HQ
THE ANATOMY OF STORY: 22 Steps To Becoming A Master Storyteller
http://amzn.to/2h6W3va
THE ART OF DRAMATIC WRITING – Lajos Egri
https://amzn.to/3jh3b5f
ON WRITING: A Memoir of the Craft
https://amzn.to/3XgPtCN
THE WAR OF ART: Break Through the Blocks
and Win Your Inner Creative Battles
http://amzn.to/1KeW9ob

►Stuff we use:

LENS – Most people ask us what camera we use, no one ever asks about the lens which filmmakers always tell us is more important. This lens was a big investment for us and one we wish we could have made sooner. Started using this lens at the end of 2013 – http://amzn.to/2tbtmOq

AUDIO

Rode VideoMic Pro – The Rode mic helps us capture our backup audio. It also helps us sync up our audio in post https://amzn.to/425k5rG

Audio Recorder – If we had to do it all over again, this is probably the first item we would have bought – https://amzn.to/3WEuz0k

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6 Comments

  1. Am I right in thinking that unless the physiology of the character is central to the story, don't get too attached to your vision once it's written…because the casting director might take their appearance in a whole other direction? Or, if you drop a few vital (to you, the screenwriter) details into the script, will they likely be honoured? I'm just thinking about screen adaptations of books where characters are described thoroughly and yet sometimes it gets totally ignored for the movie version. 😆

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