In this video I show some of my favourite photos from 2023 as well as reveal why my street photography has completely changed over the past 12 months.

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    I’ve been fortunate to have had an incredible year filled with photography Adventures I traveled through Morocco and I went to Amsterdam as well as visited many cities and events all over the UK but there’s one thing that I’ve learned the value of most in 2023 and that’s how focal length Choice can

    Completely change the way you see the world and the kind of images you want to make but more on that later in this video I’m going to show you some of my favorite images from 2023 as well as some important lessons I’ve learned including how and why my street

    Photography has developed and changed over the course of the year so let’s start with some images from the of the Year very much sticking to and including a lot of abstraction and layering focusing more on the form of the image rather than the content of the photo and

    This is a style that I quite enjoyed developing over time but it’s something I’ll discuss a little bit later on in the video and while I enjoyed the beginning of the year and had a lot of success with some images that I really liked I had this increasing feeling that I was

    Making photos purely for their aesthetic value rather than including anything remotely meaningful focusing more on making pretty pictures over pushing my myself to try new things I didn’t really address this right away but it was in the back of my mind a lot as I went out

    On more photo walks that I was starting to sort of repeat myself and fall back on similar ideas over and over but having said that focusing on Framing and Aesthetics by using the environment can be a fantastic way to turn a boring Place into something far more interesting full of photographic

    Opportunities and this is where I learned a really great lesson which is that you can make great photos pretty much anywhere it just depends on how creative you can be and how hard you want to work for it I have wanted to visit Morocco since I

    Was a kid ever since my dad told me his stories from years of living there in the early ‘ 80s so I was grateful to get the chance to explore the country for a few weeks in April I was mindful that people culturally in Morocco don’t really like having their photograph

    Taken which was fine for me at the time because it meant I could focus more on my aesthetic style showcasing the environment as much as the people who live there up on screen now are some of the highlights from the trip I learned a big lesson here which is when traveling

    Is important important to respect local customs and cultures and as such you need to shoot to the conditions so what do I mean by that well if you’re in a quiet and boring location then focus on the environment and abstraction if you’re in a country where people don’t

    Want their photo taken then focus on how creative you can get with your Framing and bring the environment more into play or maybe still take photos of people but just try to find a way to frame up your shot so it doesn’t actually show their facial features and then if you’re in a

    Place with a lot happening then maybe try and get up closer and see if you can create frames full of action but a bit more on that later on so yeah you can only really photograph what’s in front of you so make the best of what you have

    When I got back from Morocco I was really happy with the photos made a little digital zene and I was quite pleased with the project but I still had this sort of nagging feeling that my photography was stagnating a bit and I wasn’t really sure how to address that

    So I still went out on more photography trips photographing the same way but thinking a lot about how I could potentially change it up a bit and that’s when I realized I just needed to change something do something new take the risk and see what happens so I

    Bought a new lens now I’m sure a lot of you are thinking well that’s not a risk it’s just buying a new lens but for me it was a risk because I get used to shooting in a certain way and looking for scenes in a certain way and framing

    My shots because I’m very familiar with the focal length I’m using so it was a bit of a risk cuz I knew that by changing my focal length I would ultimately end up changing how I shoot and that was a little bit daunting you know change in general can just be a

    Little bit scary but I was really excited at the same time I picked up the 23 mm F2 Fuji lens so 35 mm full frame equivalent and I never really looked back it was really quite hard at first and obviously it required me to change

    How I see and what to look for but I was definitely ready for the challenge so that’s the next very valuable lesson if things aren’t working for you change something with intention that could be a lens camera location style workshops what photography you look at but just

    Don’t buy a new gear for the hell of it as I’ve touched on already focal length can completely change the style of your photos so if you aren’t sure of the work you’re making and maybe you want to try something new then just try a different

    Focal length stick with it for a while and see what happens like I said it was really hard at first I was hesitant to get close and made a lot of crap photos but over time and practice I was starting to see a few results that

    Really excited me to go out and shoot I just started to love the challenge of getting closer and focusing more on the content of photos the moment and subjects much more than the form or Aesthetics of a scene of course I still wanted to make great images with strong

    Composition and to be pleasing to look at but I knew that would come with time and practice I’d love to know the biggest photography lesson you’ve learned this year by the way so drop it in the comments below and if you’re enjoying this video and finding it

    Useful hit the like button it really helps spread the video for more people to see later on in the year I made a couple of trips to London and that’s when this new approach really clicked for me I started getting closer being more confident and tried to feel the

    Frame more and also look for more meaningful moments of emotion at least meaningful to me if you look at these photos compared to the work I was making at the start of the year it’s so different I also know a lot of people won’t like it and may prefer my old work

    And that’s absolutely fine for me it’s vital to make photos I want to make and that’s another massive lesson you have to photograph what’s meaningful to you not what other people might like the moment that you try and take photographs to please other people or make photographs that you think will do well

    On social media is when you just lose what’s so magical about photography in the first place I took this new approach with me to Amsterdam as well and really started to seek out moments of humanity I started looking for humorous things but also things happening that are

    Important to us all which I think should be documented with the camera in some way here’s another massive lesson that was so important to my photography development over the year and that was getting closer getting closer into subjects and scenes with a wider lens but also getting closer to a style

    Closer to a scene and purpose with my photography which I can’t wait to explore more in the next year so if you feel your pictures aren’t getting better that’s okay but maybe you might want to think about I mean really think about what you want to get out of your

    Photography in the long run and then pursue it and finally my new approach to street photography really clicks on my last few photo trips of the year for a day at the races and the Santa Con event in London both trips were such a great day and fun places to practice the

    Approach of getting closer and this is my last lesson of the video and something that I’ve done a lot this year and plan to do more next year and that’s to photograph events events make such great places to practice street photography because no one really cares that you’re there documenting it so you

    Can be a bit Bolder in your approach having said that it can be easy to photograph an event literally as it’s an interesting thing happening and you then might end up with event photos which in my opinion are all pretty boring I try to approach it more by looking for fun

    And different moments in and amongst the event but also on the fringes trying to find little stories that work well out of context and include moments to trying to find something a bit special happening in and amongst festivities aiming to show the intricacies of humanity in some way not just

    Photographing the event because it’s an event some of the photos from the races and Santa Con are definitely the direction where I want to take my photography going forward which for me is super exciting I thought I’d do this sort of format for my photography over the past year rather than going through

    And talking over each individual photo one by one which might be a little bit boring so hopefully you found this video useful if you’d like to see how I made some of the images in this video then check out this playlist or if You’ like some tips to take your photography to

    Another level for next year check out this video next as always thanks so much for watching I’ll see you in the next one

    29 Comments

    1. When I first started to do street photography I was using Olympus m43 with a mid-range zoom and a 40mm prime.
      I then got a Ricoh GR iii which is 28mm (equiv) fixed lens and it 'opened my eyes' to what was around me and, like you, I needed to get in closer and be a bit bolder.
      I did a '100 Strangers' project, stopping random people in the street and asking to take their photo, and it helped me with boldness. I now enjoy getting in closer and capturing more photos of the moment. Look forward to more of your videos in 2024. 🙂

    2. Great summary of your year Tim, which I have been following. I have learnt a lot from this. It's so good to see the way the way you are developing. I have also thought about buying this lens to 'get closer' as you say, but I'm just getting used to the Fujinon 35mm 1.4. Looking forward to seeing your photography in 2024.

    3. Hello,can you tell me whether you just do this as a hobby or whether you generally sell your street photos? Can i buy some images from you? Greeting M.F.

    4. Kudos for self assessment type of year end post, Tim, as opposed to other channel “best of pics boast”. Shows maturity and candor — no kidding. Dating images, a plus. When were you in Morocco?
      My learn by doing lesson this year was more interacting w/subjects like artisans — goes a long way to get relaxed and (yes) even quick candids.
      Valid points about shooting w/intent and prioritizing what is meaningful to you. Our priorities can morph, however — sometimes a moving target, if that makes sense.
      Events can be super productive, yet challenging — look forward to your posts next year.
      Not an event, but still a worthy challenge, IMO (heard about it recently): walk down any street of your choice — end to end if possible — photograph what you can. Ever try it?
      Happy New Year, Tim! Cheers!

    5. Cheers chap for the vid, I have gone the opposite way and really enjoy 50mm on APSC, I like to pick out individuals in busy area environments as opposed to having too much going on, also I like the distance it affords me and if I do need to 'zoom' out I'm walking backwards further away and less imposing on people. Possibly a confidence thing but I'm also mindful of confrontation especially as I prefer night time stuff when there can be more opportunity for a knobhead or two floating about.

    6. Great to see your review of the year and how your style has developed. Due to watching your channel I am now including more abstract, reflections and people framing in my own street work so thank you for the inspiration. 😊. Looking forward to seeing more of your content in 2024. Happy New Year and keep snapping!!!!!

    7. Thank ypu for this nice recap, which has a lot in parallel with my photographic year: Although taking pictures since more than 45 years it was to motivate myself as a professional desk sitter to simply take more walks when I picked up my slightly aged X-Pro2 with a nifty fifty (i. e. 35 mm in that case) and discovered street photography for me personally and your YT channel, which quickly had become one of my favourites.. At the end of this year my preferred focal length after having tried 40 and 35mm now has come down to 28 mm (fullframe equivalent). This gives me the visual context you mentioned as well in a lot of situations where it was missing before, and now using the 40 MP sensor of an X-T5 I don't mind cropping if there was too much in the frame. For the next year I wish you best luck, best light and strong health, and I am happily looking forward for more of your most inspiring videos documenting your creative journey as well as for my personal development in street photography. So, take care and shoot on!

    8. Thank you for the video! I currently have a Sony A1, but looking to do street photography after watching your street videos over the last week or so.
      I am looking at getting a smaller cheaper camera for this purpose and leave my Sony at home (due to weight and the risk of being a target when out at night). I am looking for a smaller camera around the £400 mark.
      I have been looking at Olympus, especially the OMD EM5 mk 2. It's fairly cheap and the lens choice is also very good and economical.
      Due to its age, it is only a 16mp camera, but would you consider this an ok camera for general street photography?
      Keep up the good work 🙂

    9. Street photography is hard. As an introvert, I didn't think I could do it. Turns out I can, I even enjoy it. Am I good at it? I've only been doing street for eight months…

    10. Thanks for sharing this video of your thoughts on your growth this year. I've really enjoyed your photos and have gotten lots if information and inspiration from your channel. Here's to an awesome 2024!

    11. Biggest lesson for me is consistency which means going out in bad weather. Previously I had been a fair weather photographer, but going out in all weather showed me all the opportunities I had previously missed.

      Additionally being more critical of what I share. I also evaluated others photos they shared and looked at what I liked or didn't like about it and then decided if I had shot the same whether I would share or not. All this was in my mind – no unsolicited criticism publically given.

      I also started watching more youtube on Street Photography and looking at photography books.

      It's been 18 months since I started and I feel I've improved dramatically, but at the same time still have a long way to go.

      This is a good video, thanks for sharing. Looking forward to more in 2024.

    12. It's been great seeing your photography journey this year, Tim. I have loved all your images and the how your "style" has changed.
      Your thoughts, insights and tips have been invaluable and I am looking forward to seeing more great content on your channel in 2024
      Thanks for sharing your work.

    13. I actually prefer your latest work way more. I really appreciate such photos kind of brings some sort feeling. I am definitely going to try to introduce the things you have learned in my photography! Getting closer. Events are indeed a great opportunity.

    14. Not sure if you’ve ever read Jay Maisel’s book on street photography. Light, Color, and Gesture. I think you’d really like it. There is a documentary out there too. Watched it a few years ago and it was a real eye opener.

    15. Can not believe that I missed this excellent episode of 2023 Self-Review until today. Thank you so much for the honest sharing of the change and breakthrough with your own photography in 2023. Similar to you, I am also going through this challenging stage of "Stagnation (your word)" with my own street photography but in the reversed perspective. I used to enjoy shooting with the 28mm and 50mm and feeling quite comfortable to "get close" shooting on the busy streets of Beijing (as well as the other popular cities in Asia) for the past 3 years until moved to a small town in Northern Florida last summer. It is huge challenge for me to continue the same way I shoot on streets as there is an intensive sentiment of being offended while taking photos of people in the public without obtaining their permissions first. I guess the COVID has largely changed how people interact with each in general sadly. Being a huge believer of Capturing Candid Moments is the most essential key of Street Photography, I have no desire to take those "arranged stranger portraits on streets" although some photographers have done the superb jobs in that style. Having experienced this challenge, I decided to follow my all-time favorite Saul Leiter and encouraged myself to learn to observe this new environment through the focal lens of 90mm. The new perspective of much tighter and more compressed has not only brought me back with the enjoyment of out shooting on streets but also motivated me to convey more 'street mystiques" through the combinations of details, colors, shapes and light & shadows etc. I'd like to borrow your quote from this episode to end my comment and thank you again -"You can really photograph what's in front of you. So make the best of what you have" 👍👍 I will deeply appreciate if can check out my Instagram @AZYANGS and share your valuable thoughts (but only if you have the time). Happy Lantern Festival 2024🏮🏮

    16. Come and take pictures in Korea to upgrade your photography.
      Even Alex Webb took so-so pictures when he came to Korea.
      A country where there are people who are not favorable of being taken picture with no permission, too many distracting electric wires above and between buildings, parked cars that spoil photo frame. Most of all, people all have cameras or are always ready to take pictures of their own by smartphone.

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